Forty-four finished frames, which makes this a catalogue rather than a highlight reel.

The lagoons are the property's defining feature, so they set the schedule. Still water is a mirror and moving water is a texture, and the difference between them is an hour of the morning — so the lagoon frames were made first, before the surface broke up, and the rest of the resort was worked around them.

A shoot this size is a logistics job as much as a photographic one. The value is in having every space covered consistently, so the property never has to mix a new picture with an old one and hope nobody notices.