A resort this size has a problem no single photograph solves: it does not fit in a frame.

The answer is a sequence rather than a hero shot. One overview from height to establish the scale and the walk to the water, then a descent into the parts a guest actually occupies — pool edges, shaded seating, the routes between blocks. Thirty-odd frames, ordered so a booking page can tell the story top to bottom.

The overview was made in the morning, before the wind picks up on this stretch of coast and the pool surfaces stop behaving.